In 2012-13 Pinkham was awarded the prestigious Leonore Annenberg Fellowship given to "a limited number of exceptionally talented young dancers, musicians, actors and visual artists as they complete their training and begin their professional life." Pinkham is a graduate of the Yale School of Drama and Boston College. Bryce also originated roles in Ghost the Musical and Bloody Bloody Andrew Jackson on Broadway. In the fall of 2016, he returned to Broadway leading the cast of Roundabout Theater and Universal Pictures' Holiday Inn. Bryce went on to star in the Broadway revival of The Heidi Chronicles as Peter Patrone, for which he was nominated for an Outer Critics Circle Award as well as the Drama League Award for Distinguished Performance in 2015. DaVine Joy Randolph (Oda Mae Brown), Bryce Pinkham (Carl Bruner). He played the role on Broadway for more than 700 performances. SunsetBlvd79 Master Cast: Caitlin Ehlinger (Peggy Sawyer), Matthew J Taylor (Julian. Bryce is perhaps best know for originating the role of Monty Navarro in the Broadway production of A Gentleman's Guide to Love and Murder, for which he was nominated for a Tony Award for Best Performance by a Leading Actor in a Musical as well as a Grammy Award. Previously, he has appeared on The Good Wife, Person of Interest, and the PBS' miniseries God in America. His upcoming film and television appearances include a series regular role in the second season of Mercy Street as well as performances in the Robert DeNiro comedy, The Comedian, and Baz Lurman's Netflix Drama The Get Down. Only Pinkham is in a class by himself.Bryce Pinkham is an American stage and screen actor. Tal Yarden’s scrawling projection design makes it clear that Simon possesses a limited imagination: One superhero looks pretty much like another. Jason Moore’s direction compensates by filling the stage with superheroes that jump from Simon’s notepad. Logan’s book provides a few other characters who manage to give “Superhero” an after-school special glow. Now that would have made Simon a compelling character. Completely unexplored by Logan and Kitt is the voyeuristic pimping of a teenager wanting his mother to sleep with a man who may have special powers. It’s understandable why Jim wants to ditch Charlotte and Simon as they wallow in their endless mourning, which is strictly Musical Theater Grief 101. The second act could use an old-fashioned march or a tacky disco number to enliven the often lulling score. Baldwin is blessed with Kitt’s best number, “Laundry for Two.” The composer of “Next to Normal” and “If/Then” (which deserved better reviews from the critics) has a gift for melody, but his rhythmic palette needs variety. Baldwin and McArthur are competent, but it’s unfortunate that the silent Jim can’t find more intriguing neighbors to share his secret. Pinkham is on stage for so much of “Superhero” that we can ignore the far less interesting Charlotte and Simon and their endless mourning over a dead husband and father. All Simon needs to do is have his mother fall in love with Jim to find out the truth, because all superheroes have a girlfriend who knows the full truth. Pinkham plays a guy named Jim who finds himself suddenly fired from his job driving a city bus, and, just as suddenly under siege by a love-struck widow, Charlotte (Kate Baldwin), and her teenage son, Simon (Kyle McArthur), who thinks the super-shy bus driver living in their apartment building is actually a very real superhero. Pinkham’s turn in “Holiday Inn” receded into the scenery.įortunately, the casting gods are back in charge to bestow Pinkham with the very troubled/conflicted/angst-ridden title role in John Logan and Tom Kitt’s new musical, “Superhero,” which opened Thursday at Second Stage’s Tony Kiser Theater. But like Depp in the movies, give him an ordinary romantic leading role, and he can underwhelm. Give him a wildly eccentric/bizarre/screwed-up character, like the lovable serial killer in “A Gentleman’s Guide to Love & Murder,” and he is the best singing actor on Broadway. Bryce Pinkham is the Johnny Depp of musical theater.
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